Time for another Last Regiment update as we are just a few weeks away until Early Access on Steam. It’s literally crunch time for us here.
On last week’s stream, Chris is still in Singapore at Boomzap’s VR Studio and shared that everyone is working double time getting ready for the Early Access release. The primary highlight this week is the introductory part of the game: the tutorial.
There have been some rework and a couple of discussions in regards to the tutorial. To make it not only something for first time players to get to know about the game’s lore, but also showing how everything works while keeping the fun going. The rest of the stream continues with him discussing about the “emotional side of being a game developer” and making the game’s pace faster especially on multiplayer games. Halfway through the stream, he is joined in with the Last Regiment game design team going through the campaigns.
Beta Steam Build – July 15, 2019
The Steam build has been recently updated. Here are the things we’ve added and changed.
1.) Updated Defend and Fortify indicators.
2.) Player Position and Color can now be chosen separately.
3.) Added zoom function for Map Preview via Scroll Wheel.
4.) Added mouse over info preview for Buildings.
1.) Fixed issue for the missing Port on Olivia’s 1st mission.
2.) Reworked Olivia’s 2nd and 3rd missions.
Note: Other missions are still WIP.
1.) All Aerial units have had their movement changed to 3 from 4.
2.) Added new unit Tree of Life.
3.) Added new Draw Card power for Merchants.
Note: Placeholder art are still being used for new units.
1.) Replaced Awaken the Forest card with Life Tree.
2.) Added new Scavenger, Dying Wish, and Transform Mana, and Promote cards.
3.) Updated New Plans effect to only draw 3 cards.
4.) Updated Abundant Stock to be only playable on Towns.
5.) Updated Cargo to be only playable on Ports.
6.) Updated High Ground trait to include +1 Sight Range.
7.) Updated Welcomed Rest to include Snare effect on Unit.
8.) Added new Nature’s Touch healing power to Druids.
9.) Updated dice roll ranges for Raze and Repair with linear ranges.
Note: Placeholder art are still being used for new cards/powers.
1.) Structures now start from 1-star and can be upgraded to 3-stars.
1.) All Terrains do not block line of sight anymore.
1.) Fixed issue where certain units can be summoned anywhere on the map.
Chris will be doing weekly streams again every Wednesday 10pm EST / Thursday 10am GMT+8 on the Boomzap Twitch channel (Schedules may change, but we’ll announce ahead of time). We also have multiplayer sessions with the Boomzap team every Tuesday and Thursday 10am GMT+8. Join us on those dates!
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Before we get started, we want to talk about some industry stuff: Kickstarter has launched its own competitor to Patreon called Drip. As a game developer, this is interesting news to us.
Struggles in Marketing
We’ve had two unsuccessful Kickstarter campaigns for Legends of Callasia and the major thing is that if you’re not able to fund the project in a certain number of days, you get no money at all. Despite that, we made the game anyway. Afterwards, we gained some users and had another Kickstarter for the DLC, which went through. But honestly, we’ve set our bar of success really low. Technically, we haven’t been able to fully fund a project yet.
We believe there are three scenarios to make Kickstarter work.
You’re already really famous.
You have a famous IP.
You have something so marketable and memorable that can break into the mainstream media.
The first two are not options for us, and the third one is very rare, so Kickstarter has been problematic in our case. Patreon is a different thing. It’s very straightforward in how you have a service or product, and people can support you. This is good for those who consistently produce content, such as comic strips or write-ups, and Patreon is a way to help those people keep on producing that content.
And this is the same subscription tool that Kickstarter is now doing. According to the website, “Drip is a tool for people to fund and build community around their ongoing creative practice”.
This is obviously a big thing but we’re not sure yet how it works with games. There are already subscription options and other existing ways to do it that don’t involve going outside the game to another thing. As of now, we don’t know yet if we want to do it with Last Regiment. It’s definitely useful in the creative world, but we’re not sure yet about the game world.
There is also the question about discovery. The one thing Kickstarter does have is 14 million people who are willing to throw money at things, largely on games. But why did Legends of Callasia not become a huge financial success? There are certainly problems about the game, but even so, people never knew it existed. We think there are a lot of people out there who would love to play but never heard of it. That problem is something Kickstarter might be able to do something with, but it has a narrow focus wherein you need this money *right now*. We are curious to see how Drip would address this issue.
Obviously there are other services like this but the problem has always been: how big is your network? That’s where platforms like Kickstarter and Steam makes its money in. They already have a huge group of gamers and they’re giving you the ability to be able to talk to those gamers through their system.
Aside from the question of how big is their userbase, the next thing we need to ask is: How many products are they offering? This is a problem with Kickstarter: they do have the people, but there are also at least 200 new games in a week. Other services have few people but few games, so there is a bigger chance for people to actually see you. There is a trade-off, and an argument has to be made about whether or not it’s worth it.
The other thing we’ve been doing to get our game noticed is attending game conventions, and we are actually working on our Indie Megabooth submission right now! We’re trying to be part of it in PAX East. It’s a great show, as well as PAX South, but the value of going to same show with same game degenerates over time.
During the first show, it becomes a big deal because nobody has seen it before. On the second show, it becomes less so since they’ve already seen it, and you’d just get looked over a bit. So right now the plan is if we get accepted to the Indie Megabooth, we’ll be going to PAX East. If not, we’re not going to buy a regular booth because the return on investment is not worth it.
Another thing is that we’re not really a fancy game and can’t have a big screen showing a huge fight. We’re a strategy game, which is slower and quieter, and when showing it by ourselves, it is difficult to get people to come to our booth. Again we go into the rabbit hole of how do we market our marketing?
From the perspective of the press, streamers, and other influencers, they would have a list of what they want to see at the show. Nobody comes to PAX to see what Boomzap’s up to. Getting them to come to our booth is actually a struggle. We have to reach out to them early on and make an argument for them to come.
If you’re in the Indie Megabooth, everyone in the press would check that out. It’s on their list. They would come by, but you still need to try to get them to play, though at least you get some eyeballs. Like Kickstarter and Steam’s user base, the Indie Megabooth is a big thing that people know and would come to.
Another option is to sign up with a boutique publisher that has a PR agency that makes everything happen for you. That’s great but we don’t want to have a publisher. So we’re trying to find a place where we can be on a “to do list” that doesn’t involve a publisher because we are trying to be independent.
More about “Earlier Access” aka Closed Beta
We’ve also started to receive more questions about Earlier Access. The hope is that we get around 20 to 30 people in the beta list, and we’re expecting them to be those who are already interested in the game now.
There is no definite date yet on when it would begin, but the plan is sometime in January or February. There is the question of how far along do we want to be in the game before we start. We can give it to you relatively early with broken stuff that would likely change and be entirely different from the final version, and we’re hoping that the people who are in the closed beta would be cool with it.
It’s likely that we’ll do the beta through Steam, so that it won’t get pirated as much. We’ll probably do a weekly build where we can turnaround balance decisions like altered stats and address other feedback we receive. Internally we can do daily builds but putting it over on Steam would be a real task, though if we have something new to add, we can go do that.
It won’t be a full game. The game modes such as single player campaigns and other content won’t be complete. It’s something that we’ll gradually work on as we get closer to release. But that is the point of beta – you’ll get to see it earlier than anyone else, before a lot of it is done.
Plans for Single Player
Given our schedule for Earlier Access, we need to start thinking about how the single player modes would work.
The length for single player campaigns depend on the number of missions and hours of gameplay. There’s still a lot of testing before we know how long missions take. If they take longer, we’ll make fewer missions. If they are shorter, we make more. What we might actually do is build a series of missions that have variety in length, with around 20 hours of total gameplay.
We also want to make skirmishes more interesting by having goals that aren’t always exactly the same, such as capture the flag, king of the hill, etc. A lot of discussion still needs to takes place to sort out how the game works. It’s time to start thinking about the lore and story and how we do the single player missions. We need to look at other games and listen to feedback from players to see what they want.
How much would single player impact multiplayer? It comes from our experience in Legends of Callasia where we had a user complain why everything is not yet unlocked, so what we did was when you bought the game all the factions and units were available in multiplayer. The players then asked “Why am I even playing single player?”
That was a mistake we made and for Last Regiment, we want to make sure that single player has meaning and what you’re doing has value. We have not figured it out completely yet, but the plan is to have players unlock factions through the campaigns, starting with Olivia and the Ruma faction. While going through story, you meet new people, interact with different characters, then unlock them as playable factions.
We also want to make sure that players learn how to play the game before trying out multiplayer. The plan is to integrate the tutorial into the story, and have Multiplayer mode unlockable by playing. By the time you show up in multiplayer, you should know what you’re doing when playing against other players and know what’s happening.
Cool New Stuff
As always, we’ve made several adjustments to the game, but for this blog we want to focus on the UI revamp, because that is what players would immediately see. Aside from adding more rococo elements, it is important that the UI is able to communicate how the game works.
The Regiment bar now shows a max army limit of 11, with only two heroes (which are substantially bigger so that you clearly understood who they are)
We still have the nice control mechanic where you can click and hold units and powers
The look and feel for the next unit toggle and timer was changed to resemble clockwork and machinery
Some of the UI panels now match the regiment color you’ve selected
An indicator on top shows which phase you are in during resolution
We were looking at the old way of choosing regiments, and we didn’t really like it. It was difficult to select a hero and find out what it does or what value it brings to me. And so we looked at how you built decks in other games where you can see all the cards in one glance.
It’s still placeholder, but we’ve made the framing better. We also wanted to fill the screen with pretty art and make sure you saw them. We’ve added a player language wherein grayed out units can’t be selected, and you can only choose the colored ones. We’ve made it easier to click on a unit to view its description and abilities.
In the future, we want these panels more themed to the factions. Right now it just looks like a set of cards. We want this to be a place where we could express some of the history and lore of the game. It sounds trivial, but later on when we add new factions or release DLCs, there is a sense of discovery and excitement.
Update to support segregated hero slots in game screen
Update to support new design change: minions can only be summoned if hero is in play
Updates to select army UI: manual army sorting works again; power lists work now
Update to victory moves to support multiple stages
Prototyped unit adjacency traits (increased ATT is highlighted in green)
Fix to editor object selection: minions show up now; mouse scroll works properly now
Change power targetting recticule to use video asset
This week we’ll talk about some of the challenges we face as developers. How do we make our fantasy game different from others? How do we make all of the game elements consistent and coherent? What features and platforms should we focus on?
Before we talk about what we’ve been working on, we’d like to take a step back to discuss the lore of the game again. Some have been wondering why there are a variety of units and how they all go together, so we’ll start by going over the history of Kothia, where the game takes place.
Behind the Lore
When we made Legends of Callasia, we were focused on creating a solid one to two hour multiplayer experience with simultanous turns and missed out on building the story. It was predominantly based on multiplayer, and won’t do well when you don’t have enough players, thus shortening the game’s lifespan. There is a cycle of a) needing a certain number of players to make the game fun, and b) if the game is fun, you’ll get more players. We eventually had many dedicated users, but it was not enough to power the game.
For Last Regiment we knew we had to do something different in order to generate the audience. We realized that in LOC, there’s a silent minority who didn’t play multiplayer but instead played the single-player campaigns. This is where we should start: to build a world, set its foundation, and write the story.
So the questions were: Where do we draw from? How do we get started? We needed to find a year, and usually, the characters, technology and culture in normal fantasy is based on the middle ages. But we did want to follow the typical stereotypes that every other game already has. We’re still sticking to the genre, because the team is good at beautiful fantasy art. So what if we changed where we pinned the history instead of moving away from fantasy?
We decided to choose a much later period and a quite advanced year in history: 1772. There was more scientific development; there were trading companies, colonization, and nationalization. What if we had that history in a world where magic did exist? How would elves, orcs, and goblins deal with all these new technology, culture, and social structures? What do armies look like? What weapons would they use?
In Last Regiment, we call this period The Reconquest. The world is composed of a number of continent, the biggeest one being Kothia, which is similar to the Roman Empire. There were massive wars that involved magic, summoned spirits, infected creatures, constructs , and more. There is a massive apocalypse and civilization is largely destroyed.
Humans fled to the old world until centuries later when they decide to reconquer the continent with better technology and tools to fight back. This is the setting of the game. You as a player will have to go back and explore this new world.
And so here’s what we have been working on in the past two weeks.
We scrapped mana and decided to stick to only one type of resource for the game.
We’ve been testing the concept of hard points, which does make the game more interesting and offers a lot more strategy, but we’re not yet happy with the actual types of structures you can build. We made so many art and animations for these buildings earlier and we’re not sure where to use it. We built the assets too fast and some of them don’t make sense anymore, so we’ll have to revisit them.
We tweaked some of the data and rebalanced some of the units. Making them have higher HP made a positive difference in the game: they now last long enough, but are more expensive and take longer to build. You as a player would now spend more time trying to keep your units alive, instead of churning them out and letting them die endlessly. You have to learn to manage units better, and this accelerated the pace of the game.
We changed how the fog of war works, revised the visual presentation of effects, and continued fixing some of the art and user interface.
And some other bug fixes!
One of the things that makes a polished game look really polished is artistic coherence. It’s the developers willingness to stop and make it something that it needs to be. For example, we have reasonably good art for the hero Tristan, but it looks visually different from the rest of the art in the game, such as the Chainsaw Shocktrooper (aka elf with the chainsaw). We can’t have both art that are aesthetically different from each other, and this is an expensive decision to make. This is one of the realities of game development: there’s always going to be something that comes up that you didn’t expect that you have to come back to and have it redone. Even if it doesn’t affect the gameplay, the extra level of polish makes a difference.
Multiple Resolutions and Cross-Platform Support
Multiple screen support is something you don’t usually think about. When developing games, you must keep in mind that changing resolutions could cause the user interface to be misaligned. There are two things you have to look at: the scale (bigger or smaller) and the ratio (widescreen, etc.). You need to go through each of the different elements of the user interface and decide where you want them aligned – to the center or on the edges of the screen. What if some players want the elements in the same size? What about retina size?
Meanwhile, there’s the concept of supporting the game on multiple platforms. There are features that are desktop-specific and tablet-specific. There are things on the PC such as hotkeys and mouseover highlights which are not available on a tablet, which is touchscreen. You need to focus down on your audience in order to know which platform-specific features to address. For Last Regiment, we’ve decided to make it PC-centric.
Focus on Single Player
As mentioned earlier, another thing we’d like to focus on is the single player campaign. We had players in Legends of Callasia that were vocal about wanting everything immediately unlocked when they get the game, instead of having to play the campaigns to unlock more content. This created a created knock on effect. What’s the point of single player now? Suddenly it became meaningless, and this is a mistake we want to avoid in Last Regiment. There is pleasure in working hard to unlock something, and the sense of completion is compelling for most players.
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